Mahjong tiles how to#

Mahjong tiles how to#

Mao Zedong once said the game should not be underestimated - because “If you know how to play it, you’ll have a better understanding of the relationship between chance and necessity. Its origins are Chinese: All the way back in 1927, about a century after the game was invented, the Chinese scholar and essayist Hu Shi complained that mahjong was so popular that it had become China’s “national pastime,” calculating that the millions of games of mahjong played each day by Chinese were the equivalent of 4 million hours of wasted time daily.īut most Chinese don’t see the game as “wasted time.” In fact, despite his grousing, Hu himself was an inveterate player who spent many an evening tossing the tiles. A fast-paced, rummy-style game in which four players attempt to form sets of three or four matching or sequenced tiles, it’s hugely popular not only across Asia but around the world. Mahjong, explainedĪ quick primer on mahjong itself. Spoilers abound below, so if you haven’t yet watched the deliriously warm and funny movie, crawl out from under that rock and see it before reading further. So here’s a quick primer on the game of mahjong itself, as well as its significance to the film in that pivotal scene. This scene provides her with critical impetus toward her eventual redemption.īut it’s also true for people who don’t understand the complex rules of the game, which aren’t intuitive and are often different depending on the region of the world. It was inserted in part because Michelle Yeoh, who delivers an amazing steel-and-silk performance as the movie’s main antagonist, refused to play the stock villainous tiger mom from the book. That’s especially true for fans of the book, who won’t recognize it it’s original to the movie. But there’s one scene in particular that has been resiliently enigmatic to audiences of many backgrounds, both Asian and non-Asian … and it’s a pivotal one: the mahjong scene. The movie’s Singapore-specific local color and broadly Asian cultural nuances are indeed fairly Google-able, and can readily be contextualized through polite discussions with actual Asian people. Chu told me, “We didn’t want to give people an excuse to think of this world as some kind of obscure, exotic fantasyland - this is a real place, with real culture, history and tradition, and instead of just giving them answers to their questions, we want them to have conversations.” That lack of training wheels is intentional: As director Jon M.

One of the most beautiful things about Crazy Rich Asians is how it refuses to explain many of its most intrinsically Asian elements.